Program Schedule

Posted on Aug 2, 2017 | Comments Off on Program Schedule

 

 

6:30pm Opening Night Reception
7:30pm Screening:  La Vérité (1960)

 

 

 

9:00am Morning Sessions
Recovering Early Optical Sound: Joseph Tykociner’s 1922 Composite Sound-on-Film System
The Digital Post-It: Cataloguing Unstructured Metadata for Preservation in Distributed Databases using Open Standards
 Break
Restoring The Ballad of Gregorio Cortez: The Result of a Long Partnership Between an Archive and a Festival
Artificial Intelligence for Automatically Repairing Vertical Scratches
12:45pm Lunch Break
2:00pm Afternoon Sessions
HDR Video Mastering for Classic Cinema
The Troop: Redux – An ACES Reformatting and Archiving Case Study Project
Break
Capacitance Cavalcade: The Sorrowful Spinning Saga of RCA’s SelectaVision CED Videodisc
Analyzing Image Bit Depth in Digital Archive Deliverables 
6:30pm Cannolis and Coffee Reception
Cannolis and Italian Desserts from our friends at DJ Audio and Audio Mechanics
7:30pm Screening:  Sid and Nancy (1981)

 

 

 

 9:00am  Morning Sessions
FILMIC Virtualization Model for Digital Motion Picture Film Preservation: Harvesting more that is FILMIC in Digital Film Preservation
Active Digital Preservation: Combining Digital Asset and Preservation Management Workflows
 Break
Case Study: Restoring Behind the Door (1919)
A 20th Anniversary Salute to the National Film Preservation Foundation
12:45pm Lunch Break
 2:00pm  Afternoon Sessions
The 1920s Western Electric Sound Recording System’s Role in Developing the Architecture for Modern Film Sound
Cinema Framerates: A Progress Report
Case Study: Restoring Howard Hawks’ Scarface (1932)
Break
The Rules of Restoration: Issues, Ethics and Choices in Digital Restoration
6:30pm Dessert and Coffee Reception
7:30pm Screening:  Scarface (1932)